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	<title>William J. Everett&#039;s Blog &#187; Red Clay Blood River</title>
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	<description>Reflections on Writing, Woodworking, and Ethics</description>
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		<title>Contradictions in Cherokee</title>
		<link>http://www.williameverett.com/2011/10/contradictions-in-cherokee/</link>
		<comments>http://www.williameverett.com/2011/10/contradictions-in-cherokee/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 15:30:30 +0000</pubDate>
		<dc:creator>William Everett</dc:creator>
				<category><![CDATA[Ethics]]></category>
		<category><![CDATA[Personal Events]]></category>
		<category><![CDATA[Red Clay Blood River]]></category>
		<category><![CDATA[Restorative Justice]]></category>
		<category><![CDATA[Cherokee]]></category>
		<category><![CDATA[Trail of Tears]]></category>

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		<description><![CDATA[Last week we went over to Cherokee for the 16th Annual Trail of Tears Association Conference at the Cherokee Casino-Hotel. Cherokee is now effectively two towns – the traditional tribal offices, museum, fairgrounds, and craft shops; and the casino-dominated buildings and motels to the east. What echoes in my memory is the cacophony of contradictions [...]]]></description>
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		<title>Rupert Ross&#8217;s Returning to the Teachings</title>
		<link>http://www.williameverett.com/2009/08/rupert-rosss-returning-to-the-teachings/</link>
		<comments>http://www.williameverett.com/2009/08/rupert-rosss-returning-to-the-teachings/#comments</comments>
		<pubDate>Fri, 14 Aug 2009 14:25:16 +0000</pubDate>
		<dc:creator>William Everett</dc:creator>
				<category><![CDATA[Ecology]]></category>
		<category><![CDATA[Ethics]]></category>
		<category><![CDATA[Red Clay Blood River]]></category>
		<category><![CDATA[Restorative Justice]]></category>
		<category><![CDATA[duyukta]]></category>
		<category><![CDATA[JustPeace]]></category>
		<category><![CDATA[reconciliation]]></category>
		<category><![CDATA[Rupert Ross]]></category>

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		<description><![CDATA[For some time my friend Tom Porter has urged me to read Rupert Ross’s, Returning to the Teachings: Exploring Aboriginal Justice (Penguin, 1996, 2006). I just finished it with the question, why didn’t I get to this book sooner? Tom is Director of JustPeace, the United Methodist organization for mediation and conflict transformation. This is [...]]]></description>
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		<title>East Asheville Performance</title>
		<link>http://www.williameverett.com/2009/05/east-asheville-performance/</link>
		<comments>http://www.williameverett.com/2009/05/east-asheville-performance/#comments</comments>
		<pubDate>Mon, 18 May 2009 14:44:01 +0000</pubDate>
		<dc:creator>William Everett</dc:creator>
				<category><![CDATA[Red Clay Blood River]]></category>
		<category><![CDATA[Barbara Bates Smith]]></category>
		<category><![CDATA[Geri Littlejohn]]></category>

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		<description><![CDATA[Barbara Bates Smith and I presented our dramatic readings from Red Clay, Blood River at the East Asheville Community Center on Sunday, May 17. We were joined by Geri Littlejohn, who has been making and playing Native American flutes for 15 years. In her words, the flutes &#8220;give voice to the deepest part of ourselves.&#8221; [...]]]></description>
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		<title>Dramatic Readings with Barbara Bates Smith</title>
		<link>http://www.williameverett.com/2009/02/dramaticreadings/</link>
		<comments>http://www.williameverett.com/2009/02/dramaticreadings/#comments</comments>
		<pubDate>Fri, 20 Feb 2009 15:39:17 +0000</pubDate>
		<dc:creator>William Everett</dc:creator>
				<category><![CDATA[Red Clay Blood River]]></category>
		<category><![CDATA[Barbara Bates Smith]]></category>

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		<description><![CDATA[Over the past few months I have been developing a performance of dramatic readings based on Red Clay, Blood River with a well-known regional actress, Barbara Bates Smith. Noted for her Off-Broadway performance of “Ivy Rowe” from Lee Smith’s Fair and Tender Ladies, Barbara currently tours with her adaptations of a number of Lee Smith’s [...]]]></description>
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